Back Drops Details  
     
  2014 MLC

 

     
  2014 MLC

 

     
  Anifex

Between 1982 to 2002 JHD had been regularly painting back drops for an in Adelaide clay animation company called Anifex. In 20 years this company had grown into and still remains one of the most highly regarded animation companies in Australia and the world. In the last 10 years they have branched into other related technological areas. Many drops and visual items of different sizes and scale were produced often with flair, enthusiasm, and quality.

 

     
  La Bohemian

The State Opera of  South Australia commissioned JHD to produce the main set visual for their production of “La Bohemian” in 1999. The piece was made all the more difficult due to the walls leant back 5 degrees on walls that measured   10.000  wide X 7.000 high.

 

     
  Anna and the King

The feature film Anna and the King in 1999, brought together crews from all over the globe. One of the major challenges was that all the back drops had to be painted on the ground in various workshops around the city as there were no workshops available with an internal height of more than 5 meters. The height of the smallest drop was 6 meters. We successfully completed the  task and introduced new techniques.

 

     
  2009 Magic Memories

Measuring 9.600 x 3.000

With a curved base, Magic Memories commissioned a backdrop in March 2009,  that was a strikingly unusual but representation of the sea. This was so they would be able to take a photo of all people as they entered the Sydney Aquarium. They would then, at the end of their tour purchase a copy of the image with other associated Sydney Aquarium paraphernalia. The mural was coated with a special clear coating that had no sheen and protected it for cleaning.

 

     
  2009 Myer Emporium Magazine

In April 2009 Myer Emporium magazine winter edition employed JHD to paint 2.500 x 3.000 and floor area. Stylistically fantasy, the backdrops were produced for their feature clothing spread. One having a Spring feel and the other was Autumn.

 

     
  1989 Grand Prix Ball Adelaide

In 1988 was the second to last Australian F1 Grand Prix to be held in Adelaide. As part of the contract, JHD had to design and paint a series of large decorated corner sections in a 60’s theme and each measuring 15.000.w X 2.400.

 

     
  2011 Stratco TVC

2011 There were a seris of backdrops that had to be produced in a relativly short period of time. This could be achived as the image only had to be painted in a soft style inkeeping with the "fairy tale" feel.

 

     
  Dell

 

     
  Joop MTV Awards

 

 

     
  Mask 2 Boxing sequence

Mask Boxing Backdrops for the feature film “Mask 2” there were a series of banners that had to be printed on vinyl. They ranged from 3 meters to 12 meters tall, so that the dressing of the arena, which was huge, be given a bigger than life feel. In order to produce finished art on that scale was not only logistically difficult but time and cost prohibitive. We suggested producing the original art digitally for speed and quality. The art had to be caricatured versions of the two lead actors and the feeling of olden day boxing posters.

 

     
  SBS

 

 

     
  2011 Estee Lauder TVC

There were a multitude of tasks to be performed for this particular job. Working out of Anifex's studio in Kent Town S.A. I had been original briefed by (director) Tim Piper and (make/up artist) Emma Hack as to the look and feel of the images and the technicalities were worked out as the project moved along. My advice and expertise were on hand to assist in other areas when required.

 

     
  2009 Domio TVC

12.000 X 6.000 Largeish backdrop for new Domio TVC campaign. Painted on the floor as the workshop had a hight restriction of 4.000mtrs. It had to be an exact copy of a much smaller backdrop hanging above the sky of the one I was painting.

 

     
  2002 Xmas Cave David Jones During this period there were changes in large format digital printing. It meant the logistics of traditional painting, space and time, weren't an issue. One of the benefits was to eliminate the need to make a lot of last minute changes because the finished image was exactly what the artwork would look like.

 

     
  Nickki Webster

“Nickkie Webster Jungle book”

 

     
  2008 Toyota 2008 There were a seris of objects and cut-outs to resemble the local landscape.